Paintings all off to the gallery. The studio echos. Well, sort of. Actually, there is a LOT of stuff in there. It is good to be productive, but then you are surrounded with output. I'm still quite fond of some of the oldest paintings in there. I know all the frustration and craziness that went into their birth.
Some of this output represent cul-de-sacs. Exuberant directions that were delicious to indulge but led to an ending point rather than a connection to other work. Some of the cul-de-sacs were the need and relief of doing something different.
That is, if the work was all figures for a while, then it was wonderful to do still life. If all of it had exhausted me, then it was soothing to do something nearly (for me) abstract: a bit of curling paper, a slanted table top and a red ball. I did twelve of these paper/table/ball pieces. They don't look like the other work. And that is the delight I get from them. That and the challenge of how do you use those 3 parts in 12 different ways. Quite fun.
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swamp, 55" x 29"
in progress
flying fish, 55" x 29"
eye with a view
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About Me
- Gail Siptak
- I am living and painting in the little town of Houston. A far way from my San Francisco beginnings. I paint what I see of the human condition, be it human, animal or object. The glimmer of humor, pathos, and spirit in so much of what I see is the basis of what I paint.
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