Since I posted last, I have slugged it out with acrylic vs oil and finally have a happy new relationship to plastic. It took some 18 months to make the change over. I'm sure most people would do this in a speedier fashion, but I was stubborn. What eventually worked for me was to stop giving a damn and just slather it on. So I made the commitment to go from big tubes to pints and pledge my allegiance to acrylic.
So now, in between shows and anyone caring what happens in this studio, I am feeling free. The problem with feeling free is how to pare it down into something that makes sense the next morning when I go look at the previous day's work. I have long wanted to make larger paintings of my tiny gouaches, and this seems to be the time. So I am taking inspiration from my own work and doing variations on older pieces. I've never done this before and had some concern that I'd be mucking about in old ideas. But once into a piece it naturally change and morph into something quite different.
So aside from the spiders and mosquitoes (yes, still, until a hard freeze comes Texas way), life is good once again in my studio.
Peace.
Sunday, December 5, 2010
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- roger lee's sculpture
- professor art, reflections on life and the creative process
- mark adams
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- harry stooshinoff
- banner mountain textiles
- http://jeane-artit.blogspot.com
- katherine treffinger
- cecilia levy
- andy feehan
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- andre fromont
- richard russell
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- michael rohde
- HJ bott
- made in mississippi
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- tim glover
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About Me
- Gail Siptak
- I am living and painting in the little town of Houston. A far way from my San Francisco beginnings. I paint what I see of the human condition, be it human, animal or object. The glimmer of humor, pathos, and spirit in so much of what I see is the basis of what I paint.
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