Well, they don't really suck. But some days it sure feels that way. I am returning to two new/old things at once: back to the big paintings after 3 years of small ones, AND relearning acrylic.
I am trying all sorts of mediums including 409 cleaner recommended by a friend on flickr. They work some what.
If I were working on panel and small, it would be a dream. The problem is working on large roughish canvas (primed, but not sanded). I like the texture and the incomplete marks you get when dragging a brush along that kind of surface. But it is slow going, refilling the brush very very often. And a little more difficult mixing the paint right on the canvas the way I was used to. I guess I'm used to working very quickly and immediately.
I know the watch word that I need to put over my door: ADAPTATION.
Adapt to the new situation, whatever it is, or sink. Period.
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The web pages of some very good artists.
- roger lee's sculpture
- professor art, reflections on life and the creative process
- mark adams
- somethings i think about- annell livingstone
- harry stooshinoff
- banner mountain textiles
- http://jeane-artit.blogspot.com
- katherine treffinger
- cecilia levy
- andy feehan
- mallory arts
- andre fromont
- richard russell
- susan rudat
- michael rohde
- HJ bott
- made in mississippi
- lydia bodnar balahutrak
- tim glover
- kelly moran
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folk art and other tasty bits
more stuff:
http://flickr.com/photos/siptak
http://gailsiptak.com
http://koelschgallery.com
http://gailsiptak.com
http://koelschgallery.com
About Me
- Gail Siptak
- I am living and painting in the little town of Houston. A far way from my San Francisco beginnings. I paint what I see of the human condition, be it human, animal or object. The glimmer of humor, pathos, and spirit in so much of what I see is the basis of what I paint.
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