Saturday, November 8, 2008

bad drawing stiff drawing good sketch books

I have been digging through the old piles of drawings and writings from years past. Putting the writing aside for a bit, I notice how much freer I was/am, most everyone is/was with shards of torn paper or crumby paper or lined paper than in the beautiful moleskin books or the hearty hard backed sketch books. Aren't we all just a little afraid of messing up the lovely buttery good paper? It seems, most of my good drawings are on loose ripped edges of things.

And the good ideas too. So the trick is to gather all these little pieces together. In moments of great procrastination and boredom, I've even pasted some of this stuff into the better hardbacked sketch books. It is difficult to dismiss that parent or teacher or onlooker from your shoulder when you are working in the good book. Sometimes I try and "save" a drawing that has gone stiff on me.....and it gets worse and worse. Then, I suppose it is a good candidate to be ripped out by its roots and saved for collage....but that's another pile of paper.

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swamp, 55" x 29"

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I am living and painting in the little town of Houston. A far way from my San Francisco beginnings. I paint what I see of the human condition, be it human, animal or object. The glimmer of humor, pathos, and spirit in so much of what I see is the basis of what I paint.

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