I am putting together stretchers and stretching canvas. Nothing to remark on except that for the past 2 or 3 years I have been working relatively small. Easel work. Now I'm going back to the 60" x 50" size. Unless someone else builds them for me, I think my 76" x 84" canvases are in the past.
Crikey, you know you are getting old when you can't heft the heft you hefted before. My old stretchers are especially heavy. Sometimes stripping off an old not so successful painting and putting on new canvas is an easier way to go. Except then.......you have to deal with millions of old stubborn staples on the old painting.
But there is no saying "aw, forget it". There are some ideas that need more space. So, now I work a while til my back is screaming at me and then sit for a bit. Then jump back up and sneak in a little more work before my back notices.
Another solution would be to work unstretched....which is do-able with acrylic (now that I'm using the damn stuff). There are too many ideas galloping in my head not to go big again.
The web pages of some very good artists.
- roger lee's sculpture
- professor art, reflections on life and the creative process
- mark adams
- somethings i think about- annell livingstone
- harry stooshinoff
- banner mountain textiles
- katherine treffinger
- cecilia levy
- andy feehan
- mallory arts
- andre fromont
- richard russell
- susan rudat
- michael rohde
- HJ bott
- made in mississippi
- lydia bodnar balahutrak
- tim glover
- kelly moran
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I go see the eye doc this morning. I don't want to go. The eyes are not what they used to be, baby. Some five years ago I had an attac...
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folk art and other tasty bits
- Gail Siptak
- I am living and painting in the little town of Houston. A far way from my San Francisco beginnings. I paint what I see of the human condition, be it human, animal or object. The glimmer of humor, pathos, and spirit in so much of what I see is the basis of what I paint.
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